Free Lyrics 2026

Blues Traveler ~ Who Do You Love


Original performer: elias mcdaniel I walked forty-seven miles of barbed wire, I got a cobra snake for a necktie, I got a brand new house by the road side, Made out of rattlesnake hide. I got me a chimney made on top, Made from a human skull, Now come on, take a little walk with me, Now who do you love? Come on arlene, take me by the hand, Let me know you understand, Who do you love? ... Ride nine times on the midnight train Through the fire and cold rain, Who do you love? ... I've got a tombstone hand in a graveyard mine, Just twenty-two and i don't mind dying, Who do you love? ... more free lyrics

Original performer: elias mcdaniel

I walked forty-seven miles of barbed wire,
I got a cobra snake for a necktie,
I got a brand new house by the road side,
Made out of rattlesnake hide.
I got me a chimney made on top,
Made from a human skull,
Now come on, take a little walk with me,
Now who do you love?
Come on arlene, take me by the hand,
Let me know you understand,
Who do you love? ...
Ride nine times on the midnight train
Through the fire and cold rain,
Who do you love? ...
I've got a tombstone hand in a graveyard mine,
Just twenty-two and i don't mind dying,
Who do you love? ...

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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