Free Lyrics 2026

Afghan Whigs, The ~ If I Only Had A Heart


(arlen/harberg) When a man's an empty kettle He should be on his mettle And yet i'm torn apart Just because i'm presumin' that i could be kind of human If i only had a heart I'd be tender, i'd be gentle And awful sentimental regarding love and art I'd be friends with the arrows And the boy who shoots the sparrows If i only had a heart Picture me a balcony Above a voice sings low "wherefore art thou romeo?" I hear a beat, how sweet Just to register emotion, jealousy, devotion And really feel the part I could stay young and chipper And i'd lock it with a zipper If i only had a heart A brain, a home, the nerve more free lyrics

(arlen/harberg)

When a man's an empty kettle
He should be on his mettle
And yet i'm torn apart
Just because i'm presumin' that i could be kind of human
If i only had a heart
I'd be tender, i'd be gentle
And awful sentimental regarding love and art
I'd be friends with the arrows
And the boy who shoots the sparrows
If i only had a heart
Picture me a balcony
Above a voice sings low
"wherefore art thou romeo?"
I hear a beat, how sweet

Just to register emotion, jealousy, devotion
And really feel the part
I could stay young and chipper
And i'd lock it with a zipper
If i only had a heart
A brain, a home, the nerve

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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