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Aerosmith ~ Nobody's Fault


Lord i must be dreaming What else could this be Everybody's screaming Running' for the sea Holy lands are sinking Birds take to the sky The prophets are all stinking drunk I know the reason why Eyes are full of desire Mind is so ill at ease Everything is on fire Shit piled up to the knees Out of rhyme or reason Everyone's to blame Children of the season Don't be lame Sorry, you're so sorry Don't be sorry Man has known it Now he's blown it Up-side down and hell's the only way We did an awful job And now they say it's nobody's fault Old st. andres Seven years ago Shove it up their richters Red light stop and go Noble men of courage Listen with their ears Spoke but how discouraging When no one really hears One of these day's you'll be sorry Too many houses on stilt Three milion years or just a story Four on the floor up to the hilt (chorus) Out of rhyme or reason Everyone's to blame Children of the season Don't be lame Sorry, you're so sorry Don't be sorry Man has known it Now he's blown it Up-side down and hell's the only way We did an awful job And now we're just a little too late Eyes are full of desire Mind is so ill at ease Everything is on fire Shit piled up in debris California showtime Five o'clock's the news Everybody's concubine Was prone to take a snooze Sorry, you're so sorry Don't be sorry Man has known it Now he's blown it Up-side down and hell's the only way We did an awful job And now we're just a little too late more free lyrics

Lord i must be dreaming
What else could this be
Everybody's screaming
Running' for the sea

Holy lands are sinking
Birds take to the sky
The prophets are all stinking drunk
I know the reason why

Eyes are full of desire
Mind is so ill at ease
Everything is on fire
Shit piled up to the knees
Out of rhyme or reason
Everyone's to blame
Children of the season
Don't be lame

Sorry, you're so sorry
Don't be sorry
Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now they say it's nobody's fault

Old st. andres
Seven years ago
Shove it up their richters
Red light stop and go
Noble men of courage
Listen with their ears
Spoke but how discouraging
When no one really hears

One of these day's you'll be sorry
Too many houses on stilt
Three milion years or just a story
Four on the floor up to the hilt

(chorus)
Out of rhyme or reason
Everyone's to blame
Children of the season
Don't be lame
Sorry, you're so sorry
Don't be sorry

Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now we're just a little too late

Eyes are full of desire
Mind is so ill at ease
Everything is on fire
Shit piled up in debris

California showtime
Five o'clock's the news
Everybody's concubine
Was prone to take a snooze

Sorry, you're so sorry
Don't be sorry
Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now we're just a little too late

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

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The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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