Free Lyrics 2026

NAS ~ The Genesis


[sound of a subway train going overhead] [in the background, Nas' verse from Main Source "Live at the BBQ" is heard] [excerpt of verse is as follows] (Street's disciple, my raps are trifle I shoot slugs from my brain just like a rifle Stampede the stage, I leave the microphone split Play Mr. Tuffy while I'm on some Pretty Tone shit Verbal assassin, my architect pleases When I was twelve, I went to ... ) [conversation heard over this before Wild Style music kicks in is as follows] [dialogue from the film between ZORO and his infantryman brother, Hector] [Hector:] And you're sitting at home doing this shit? I should be earning a medal for this. Stop fucking around and be a man, there ain't nothing out here for you... [ZORO:] Oh yes there is...this! [somebody from the Firm] Yo Nas Yo what the fuck is this bullshit on the radio Son? [Nas] Chill chill, that's the shit God, chill [AZ the Visualiza] Aiyyo yo, pull down the shade, man. Let's count this money, nigguh Aiyyo Nas, put the Jacksons and the Grants over there You know what I'm sayin? Cause we spendin the Jacksons [Nas] Right, yeah. [AZ] You know how we get down baby [Nas] True, true" [the Firm] Nas, yo Nas, man shit is mad real right now in the Projects for a nigga yo, word to mother. All them crab ass rappers be comin up to me man word to mother man I think we need to let them niggaz know it's real man [Nas] True indeed, knahmsayin, but when it's real you doin this even without a record contract, knahmsayin? [AZ] No question [Nas] Been doin this since back then [the Firm] No doubt [AZ] I'm saying regardless how it go down we gon keep it real We trying to see many mansions and...and Coupes kid! [Nas] No doubt, we gon keep it real True, true... [the Firm] Aiyyo where's Grand Wizard and Mayo at man? Takin niggas a long time, man..." [Nas] Who got the Phillies? Take this Hennessey [AZ] Aiyyo Dunn! C'mon, c'mon, man stop waving that man Stop pointing that at me Dunn, take the clip out [Nas] Nigga alright but take this Hennessey man [AZ] I'm saying take the clip man C'mon, take it out... [Nas] Light them Phillies up man Niggaz stop fucking burning Phillies man Light some Phillies up then! [the Firm] Pass that Amber Boch, pass that Amber Boch, nigga! Act like you know. [AZ] Yo, we drinking this straight up with no chaser I ain't fucking with you nigga [Nas] I'm saying though man... [AZ] What is it, what is it baby? [the Firm] What is it Son, what is it? [AZ] You know what time it is [Nas] I'm saying man, ya know what I'm saying? Niggaz don't listen man, representing It's Illmatic. more free lyrics

[sound of a subway train going overhead]
[in the background, Nas' verse from Main Source "Live at the BBQ" is heard]
[excerpt of verse is as follows]

(Street's disciple, my raps are trifle
I shoot slugs from my brain just like a rifle
Stampede the stage, I leave the microphone split
Play Mr. Tuffy while I'm on some Pretty Tone shit
Verbal assassin, my architect pleases
When I was twelve, I went to ... )

[conversation heard over this before Wild Style music kicks in is as follows]
[dialogue from the film between ZORO and his infantryman brother, Hector]

[Hector:] And you're sitting at home doing this shit? I should be earning a
medal for this. Stop fucking around and be a man, there ain't nothing out
here for you...

[ZORO:]
Oh yes there is...this!

[somebody from the Firm]
Yo Nas
Yo what the fuck is this bullshit on the radio Son?
[Nas]
Chill chill, that's the shit God, chill
[AZ the Visualiza]
Aiyyo yo, pull down the shade, man.
Let's count this money, nigguh
Aiyyo Nas, put the Jacksons and the Grants over there
You know what I'm sayin?
Cause we spendin the Jacksons
[Nas]
Right, yeah.
[AZ]
You know how we get down baby
[Nas]
True, true"
[the Firm]
Nas, yo Nas, man shit is mad real right now in the Projects
for a nigga yo, word to mother. All them crab ass rappers
be comin up to me man word to mother man I think we need
to let them niggaz know it's real man
[Nas]
True indeed, knahmsayin, but when it's real you doin this
even without a record contract, knahmsayin?
[AZ]
No question
[Nas]
Been doin this since back then
[the Firm]
No doubt
[AZ]
I'm saying regardless how it go down we gon keep it real
We trying to see many mansions and...and Coupes kid!
[Nas]
No doubt, we gon keep it real
True, true...
[the Firm]
Aiyyo where's Grand Wizard and Mayo at man?
Takin niggas a long time, man..."
[Nas]
Who got the Phillies? Take this Hennessey
[AZ]
Aiyyo Dunn! C'mon, c'mon, man stop waving that man
Stop pointing that at me Dunn, take the clip out
[Nas]
Nigga alright but take this Hennessey man
[AZ]
I'm saying take the clip man
C'mon, take it out...
[Nas]
Light them Phillies up man
Niggaz stop fucking burning Phillies man
Light some Phillies up then!
[the Firm]
Pass that Amber Boch, pass that Amber Boch, nigga! Act like you know.
[AZ]
Yo, we drinking this straight up with no chaser
I ain't fucking with you nigga
[Nas]
I'm saying though man...
[AZ]
What is it, what is it baby?
[the Firm]
What is it Son, what is it?
[AZ]
You know what time it is
[Nas]
I'm saying man, ya know what I'm saying?
Niggaz don't listen man, representing
It's Illmatic.

more free lyrics

Random Albums and the Artists list from our database.

Warning: unlink(/www/wwwroot/chang.siteforlyrics.com/cache/62775ec3fa2e8743d3ae70a68f9705b8.cache): Permission denied in /www/wwwroot/chang.siteforlyrics.com/db_cache.php on line 54

Warning: file_put_contents(/www/wwwroot/chang.siteforlyrics.com/cache/62775ec3fa2e8743d3ae70a68f9705b8.cache): Failed to open stream: Permission denied in /www/wwwroot/chang.siteforlyrics.com/db_cache.php on line 73
Big Tymers - unknown Aaron Tippin - unknown Babyface - unknown Smashing Pumpkins - Pisces Iscariot Aaron Tippin - unknown Armoury Show - unknown Babyface - unknown Everclear - N/A R.E.M. - Lifes Rich Pageant Biohazard - Kill or Be Killed Avant - Ecstasy Black Sabbath - Forbidden Beck - unknown Apollo Four Forty - Electro Glide In Blue Company Flow - Funcrusher Plus Lenny Kravitz - Circus Nick Carter - Now Or Never Brave Combo - unknown Babyface - The Day Arrogant Worms, The - Christmas Turkey Phil Collins - Face Value Babyface - unknown Celine Dion - Tellement J'ai D'amour 50 Cent - The New Breed Darren Hayes - Spin Black Sabbath - Forbidden Grand Puba - Reel to Reel Bon Jovi - unknown Nick Carter - Now Or Never Bel Canto - Birds of Passage Bob Marley - Natty Dread Carly Simon - Letters Never Sent Black Sabbath - Seventh Star Anything Box - Hope Tommy Lee - Never A Dull Moment A-Ha - East Of The Sun West Of The Moon Chris De Burgh - At The End Of A Perfect Day Blessid Union of Souls - Home Angel - Angel Big Dismal - Believe

Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

Music & Audio